Article sample:
A dark and misty night begins once again. The giant monolithic building towers above the rest of the city calling on the end of another day. A tall dark and mysterious figure stands with his back to the wall. Black leather clings to his arms; two large black boots hang on his feet. He is alone. No one knows his name; no one knows how he feels inside; no one cares for him. Society has thrown him aside. He can never again be one of them. This is the world of Timothy William Burton.
In the recent history of film, few people have actually created something so original that it could affect the whole industry. Tim Burton has produced an outstanding amount of films that bring up the question, is Burton one of these people? Could he just be an average, if off-centre, filmmaker who has managed to convince everyone he is great, or is he the brilliant visual artist who uses his talents to create great movies?
About Senses of Cinema:
Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially-produced blockbuster to the hand-crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian-based journal, we have a special commitment to the regular, wide-ranging analysis and critique of Australian cinema, past and present. Senses of Cinema is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study.
There are no reviews yet.
Leave a Review