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In this Film as Text article, Armstrong suggests that 'central to Blade Runner's appeal is an epic sense in which the film's wraith of motion, spectacle and sound seems culturally overpowering and quintessentially cinematic.'
In this Film as Text article, Armstrong suggests that 'central to Blade Runner's appeal is an epic sense in which the film's wraith of motion, spectacle and sound seems culturally overpowering and quintessentially cinematic.'
