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Part two of a Film as Text on On the Waterfront (Elia Kazan, 1954), by Gary Simmons. In this article Simmons explores the ways in which the grammar and syntax of the film validate ideas of conscience and confession.
Part two of a Film as Text on On the Waterfront (Elia Kazan, 1954), by Gary Simmons. In this article Simmons explores the ways in which the grammar and syntax of the film validate ideas of conscience and confession.
