Telling the 'Truth' and Telling Stories

Sue Maslin writes about her work with Daryl Dellora and the single crucial question that preoccupies them: How could we tell a coherent, collective story on film and also reflect the many differing individual experiences? The films discussed in this article include: Thanks Girls and Goodbye, Mr Neal is Entitled to be an Agitator, Conspiracy, The Edge of the Possible and A Mirror to the People.