In her analysis of Three Dollars, Rose Capp focuses on the narrative structure, the setting and the characters in Robert Connolly's film. Capp points out that the uncompromisingly contemporary inner-city Melbourne landscape provides an effective backdrop for the venal dealings of the business world. Capp places Connolly's film in the broader context of Australian films underpinning notions of traditional masculinity with a diverse range of characters and contexts.
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