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Metro #192

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    Metro is Australia's premier film and media quarterly. It is independent, outspoken and passionate about film, TV and new media from Australia, New Zealand and the Asia-Pacific region. First published in 1968, Metro provides readers with comprehensive coverage of the region's screen industries, and features writing by some of our foremost academics, critics and industry members. Also featuring reviews of the latest local titles as well as interviews with prominent filmmakers, Metro has something for everyone – from the avid film fan to the seasoned theorist. Combining a wide range of topics and disciplines, Metro offers a unique blend of in-depth scholarship and popular writing, capturing key trends and developments in screen culture. A partially refereed magazine, Metro keeps alive the tradition of the essay, immersing readers in thought-provoking articles that are at once analytical and accessible.

    ISSUE 192 CONTENTS

    Australian and New Zealand Cinema
    'World's away: Geography and Belonging' in Garth Davis' Lion' – Tara Judah
    'Witness born: Joe Cinque's Consolation, Adaptation and Embodied Film Theory' – Gabrielle O'Brien
    'Almost Lost Boys: Maturity and Identity in Nicholas Verso's Boys in the Trees' – Cavan Gallagher
    'Beating Around the Bush: Place Parochialism and Perspective in Spin out' – David Crewe

    Australia on the Small Screen
    Dredging Up Crimes of the Past: Homophobia and SBS's Deep Water' – Hanna Schenkel
    'Can't Hack It on the Mainland: Rosehaven and Small-town Tasmania' – Alexandra Neill

    Focus on Asia and the Middle East
    'Players on the Stage: Asghar Farhadi's The Salesman' – James Robert Douglas
    'Even Deeper than the Sea: Hirokazu Koreeda's After the Storm' – Sarah Ward
    'Candid Camera: Ryūsuke Hamaguchi's Happy Hour' – Anthony Carew
    'Controlled Chaos: Johnnie To's Three' – Nicholas Godfrey
    'Love, Hammers and Mumbai Noir: Anurag Kashyap's Raman Raghav 2.0' – Lidia Ostepeev

    Documentary
    'Of Boys and Men: Masculinity, Fatherhood and Cultural Identity in Zach's Ceremony' – Hanna Schenkel
    'Impoliteness and Destruction in the Encapsulating Frame: Lynette Wallworth's Collisions and Virtual Reality' – Kit Macfarlane
    'Seeing Other Lives: Andrew Wiseman's On Richard's Side and Disability on Screen' – Tim Kroenert
    'Dog Day, Every Day: Gillian Leahy's Baxter and Me and the Essay Film' – Adrian Martin

    Critical Views
    'Long Way to the Top: Meal Tickets, Authenticity and Rock'n'roll' – Greta Parry
    'Dancing Between Two Worlds: Ella, Ballet and the Limits of Self-expression' – Mel Campbell

    The NFSA's Kodak/Atlab Cinema Collection
    'The Love Letters from Teralba Road' – Constantine Verevis

    Industry Perspectives
    'Tale of a Luminary: The Shine Campaign' – Andrew Pike
    'What Are Our Stories Worth? Value, the Culture Wars and the Screen Currency Report' – Lauren Carroll Harris

    Regular Features
    'Scope: Screen Industry Views' – Daniel Golding, Lauren Carroll Harris, Liz Giuffre and Tara Judah

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