Article sample:
After graduating from North Toronto Collegiate Institute an Ontario Scholar, David Cronenberg enrolled in the University of Toronto's Faculty of Science, attempting to answer the question not of what things do, but of how they work. Raised by academics, David was quick to objectify the dualism that exists in both science and literature between self-identification with animals and those who identify themselves as human beings, a delicate balance between the entities of the mind and the body. His conclusions appear to riddle his sensibilities: a Canadian Cartesian whose learnedness worked in conjunction with his timing of breaking into the Canadian industry to elevate his status as one of Canada's most prominent filmmakers, a pillar to the foundation and revision of Canadian film policy, and an example of Canadian subtext reveling in international arenas.
About Senses of Cinema:
Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially-produced blockbuster to the hand-crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian-based journal, we have a special commitment to the regular, wide-ranging analysis and critique of Australian cinema, past and present. Senses of Cinema is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study.
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