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Film, Memory and Nostalgia in 'Cinema Paradiso' (Film as Text)

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SKU: 00151-ASE33

Shirley Law explores two parallel stories of 'Cinema Paradiso'. The film uses flashback and other conventional narrative elements to tell the quasi-autobiographical story of the central character. But it also works as a metafilm and metafiction, employing sophisticated self-reflexive devices to tell a micro-historical story about film, film spectatorship, and its relationship to modern Sicilian life.

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