Product Overview
'The miracle of the cinema is how rarely the convention of the happy ending is broken. The bigger miracle is that the convention of the ending is never broken at all'. Matthew Dillon analyses the different ways that film-makers - both Hollywood and Arthouse - have chosen to end their films and discusses how different types of endings - 'happy', 'tragic', 'ironic', 'thrilling' or 'visionary' - impact on the overall meaning of the film.
