The latest work by Zhang Yimou, one of China's most prosperous and prolific filmmakers, is not only a narrative about homecoming, but also an allegory for the resurfacing of long-buried memories and the traumas caused by the Cultural Revolution. Anthony Carew deconstructs the film in the context of the director's twenty-eight-year career.
Additional keywords: repression, class, psychogenic amnesia, Gong Li, communism, Asian cinema.
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