What creative and commercial opportunities does the education sector offer screen content producers? And, for those who have already made the leap, what characteristics and conventions should they prioritise to ensure success? Duncan Imberger shares his findings following a recent industry-focused research project.
Additional keywords: The Lost Thing, Veritasium, Derek Muller, The Lizzie Bennet Diaries, Screenrights, ClickView, Kanopy, A Cautionary Tail, SBS, The Boat, Lyka's Adventure, Chris Sizemore, Big History Project, Animalia, Australian Film Television and Radio School, AFTRS.
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