Writer/director Chris Peckover may have peppered his sophomore feature with recognisable horror tropes, but the resulting film is as much an example of the genre as it is a metatext about it. With its depraved young protagonist, it also deploys critiques of adolescent unpredictability and masculine entitlement, writes Kate Robertson.
Levi Miller, Ed Oxenbould, Safe Neighbourhood, Christmas, black comedy, babysitter, male privilege, gender, Oedipus complex, Final Girl.
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