An NFSA Atlab/Kodak essay on Patrick White's The Night the Prowler, by Deb Verhoeven. Verhoeven writes that 'at its most profound, Prowler is an explanation of the idea of "perpetual becoming". It is also a work of criticism, exposing all the difficulties this meditation might suggest for a dominant Australian cinema wholeheartedly enamoured with character-driven social realist drama.'
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