With reference to psychoanalytical theories and contemporary philosophy, Adolfo Aranjuez analyses Jennifer Kent's masterful horror film, examining its evocation of maternal anxiety, gender roles, grief and transgression.
Additional keywords:
Film as Text, Australia, Australian, Gothic, psychoanalysis, Sigmund Freud, Julia Kristeva, Shelley Burger, Gaston Bachelard, New Momism, Adrienne Rich, parenthood, suburbia, sex, magic, monster
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