The NFSA's Kodak/Atlab Cinema Collection: The Cars That Ate Paris

This NFSA Kodak/Atlab Cinema Collection essay looks at The Cars That Ate Paris. Peter Weir's first feature production struggled to find a consistent tone and a congenial audience when first released, but the film has gone on to gain a dedicated following. It provides an insight into where both its director and the Australian Gothic genre came from, and where they ended up. By Jonathan Rayner.