Keith Beattie examines Wrong Side of the Road's depictions of Aboriginal Australians, particularly black musicians and the challenge they offered to white Australia, as well as the film's straddling of the rockumentary, social drama and road movie genres.
Additional keywords: Indigenous, hybrid, No Fixed Address, Us Mob, intercultural, collaboration, Ned Lander, Graeme Isaac, Centre for Aboriginal Studies in Music, Aboriginal Arts Board, Australian Film Commission.
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