NFSA Kodak/Atlab essay. The Killing of Angel Street (Donald Crombie, 1981) opens with a classic black-and-white shot of the Sydney Harbour Bridge. This, as we will soon discover, is the view from the fictional street of the title. The film is concerned with such matters as class, political machination, union action, public response to insensitive 'development' in our cities, and dedication to causes.
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