Impoliteness and Destruction in the Encapsulating Frame: Lynette Wallworth's 'Collisions' and Virtual Reality

Beyond recounting the specific story of its subject, Martu elder Nyarri Nyarri Morgan, Collisions exemplifies the broader potential of virtual reality technologies to transport cinema audiences to different times and places. Kit MacFarlane explores both the immersive experience of engaging with this nascent artform and the film's subtle political messages about ongoing Aboriginal oppression.

Additional keywords: VR, dispossession, racism, Indigenous.