Product Overview
Avram points out that, '[F]or someone interested in examining Australian cinema, this film's production, content and reception give rise to several important questions related to the study of contemporary national cinema. For example, can Finding Nemo be considered an Australian film, or is it purely a Hollywood film? What resonance does this film have with Australian audiences? And, can a theory of national cinema productively account for a transnational film such as Finding Nemo?'
