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For a film that gives the impression that its story and style are so hermetically one, Casino (Martin Scorsese, 1995) equally gives the impression of images formed in a kind of cross-eyed perspective, threatening all to break apart.
For a film that gives the impression that its story and style are so hermetically one, Casino (Martin Scorsese, 1995) equally gives the impression of images formed in a kind of cross-eyed perspective, threatening all to break apart.