Making films abroad and in an unfamiliar language is a feat that few directors attempt, and far fewer still pull off. But it's an obstacle that Japanese auteur Hirokazu Koreeda successfully overcomes in The Truth – even if, with its focus on the family dynamics of its privileged protagonists, the film still falls short of his most sophisticated work, as Kenta McGrath argues.
Additional keywords:
France, French, Japan, La vérité, cinema vérité, Juliette Binoche, Catherine Deneuve, Ethan Hawke, After Life, Henri-Georges Clouzot, stereotype, authenticity, cosmopolitan, international co-production, Mark Schilling, Shoplifters
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