The influence of giallo filmmaking is evident in Parish Malfitano's striking, enigmatic indie feature debut about an Italo-Australian driving instructor's slide into disoriented obsession. But, as Dave Crewe argues, the film's aesthetic and thematic agendas – the latter taking in such diverse territory as gender identity, sexual fantasy and the Australian migrant experience – are far more complicated than any one genre label might suggest.
Additional keywords:
Revelation Perth International Film Festival, Ennio Morricone, Ola Turkiewicz, Mario Bava, Dario Argento, The Bird with the Crystal Plumage, Peter Strickland, Berberian Sound Studio, Straniero, Peeling Back the Light, Lucio Fulci, Lizard in a Woman's Skin, Euroslash, super 8, Brian De Palma, Body Double, David Lynch, Mulholland Drive, colour, toxic masculinity
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