Our sense of identity as Australians is, in large part, the product of what nationalistic stories we tell ourselves, but this process of myth-making favours the bushranger, the successful bloke and the battler – leading to a highly masculinised notion of Australianness. Karen Pickering examines the place of women in our biopic canon in light of the forthcoming Julia Gillard telemovie.
Additional keywords: biopic, patriotism, nationalism, Hawke, Emma Freeman, Chopper, Andrew Dominik, Curtin, Jessica Hobbs, The Stalking of Julia Gillard, Kerry-Anne Walsh, The Story of the Kelly Gang, Charles Tait, Ned Kelly, Gregor Jordan, Shine, Scott Hicks, Breaker Morant, Bruce Beresford, Evil Angels, Fred Schepisi, Ned, Abe Forsythe, Reckless Kelly, Yahoo Serious, The Postcard Bandit, The Cup, Simon Wincer, Howzat!: Kerry Packer's War, Dawn!, Ken Hannam, Mary: The Mary MacKillop Story, Kay Pavlou, Rabbit-Proof Fence, Phillip Noyce, The Home Song Stories, Tony Ayres, The Sapphires, Wayne Blair, Tracks, John Curran, Schapelle, Khoa Do, Paper Giants.