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Complex issues of blame and redemption play out in the uniquely constructed Lebanon (Samuel Maoz, 2009), and although it packs a powerful punch, some worrying ideological flaws undermine its anti-war message, writes James Crafti.
Complex issues of blame and redemption play out in the uniquely constructed Lebanon (Samuel Maoz, 2009), and although it packs a powerful punch, some worrying ideological flaws undermine its anti-war message, writes James Crafti.
