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Richard Armstrong explores the work of Jill Forbes, a writer who brought an acute eye to the history of French cinema, and in so doing helped secure the status of film as a topic of serious study in the English-speaking world.
Richard Armstrong explores the work of Jill Forbes, a writer who brought an acute eye to the history of French cinema, and in so doing helped secure the status of film as a topic of serious study in the English-speaking world.
