Animating Aeroplane Jelly (1-Year Rental)

PLEASE NOTE: THIS PRODUCT IS ONLY AVAILABLE TO CUSTOMERS RESIDING IN AUSTRALIA AND NEW ZEALAND. ANY ORDERS FOR THIS PRODUCT THAT ARE PLACED FROM OUTSIDE AUSTRALIA AND NEW ZEALAND WILL BE CANCELLED AND REFUNDED.

PLEASE NOTE: If paying via purchase order, your 365-day rental period will begin when we approve your order. (Approvals are usually processed regularly during trading hours, but please allow up to two business days.) If paying up-front via credit card or PayPal, you will have access to stream the file in a matter of minutes, and your 365-day rental period will begin straight away.

You will receive an email (separate to your tax invoice) with a link to watch this video once your payment is received (or when we approve your purchase order).

Director – Michael Kraaz

Producers – Michael Kraaz, Andrew Pike

An episode in the life of pioneer Australian animator, Eric Porter, and his creation of one of the most iconic and enduring of Australian advertising images.

In the 1930s and 1940s, Eric Porter had established himself as an efficient and innovative all-rounder in the Australian film industry, making a living from sponsored work and cinema commercials. He branched out into producing and directing a dramatic feature film, A Son Is Born (1946) with Peter Finch and Ron Randell, and whenever he could he explored the possibilities of animation. As an animator, he was largely self-taught but there is evidence that he reached out to Disney for advice and received helpful replies.

In 1942, an opportunity arose that changed the course of his career. Through a casual conversation he found himself commissioned to make an animated cinema commercial for local entrepreneurs Bert Appleroth and Albert Lenertz who wanted new and exciting ways to promote their very successful Aeroplane Jelly, a brand of brightly packaged crystals that had attached itself to the current craze for aviation, and was famous for a catchy musical jingle to promote the jelly on radio. For the first time, Porter felt creatively free to develop an animation concept and style, and came up with a two-minute animated commercial called Bertie the Aeroplane. The film was such a success that, like the Aeroplane Jelly song, had a life of its own. It was followed by a second animated commercial, Bertie the Jet in 1954.

In making these two films, Porter was free to experiment with animation techniques and with colour, and the films led the way for his future work in animation, culminating with an animated feature, Marco Polo vs the Red Dragon in 1972, and in television programs. The films also were a vehicle for Porter’s own mischievous sense of humour.

Animating Aeroplane Jelly celebrates this turning point in Porter's career – a moment which was also a turning point in the history of Australian animation. The films went further to help to embed the Aeroplane Jelly song as an iconic and much loved part of national popular culture, still loved and sung widely 70 years later, just as Bertie the Aeroplane toys are still marketed widely.

The documentary includes interviews with Porter himself, his daughter Gaby Porter, and his animation collaborator, Cam Ford, as well as film historians Ray Edmondson and Andrew Pike. It also includes archival footage of Porter and his studio at work … and with delightful good humour, at play.

The film is a charming labour of love by animation enthusiast and documentary filmmaker, Michael Kraaz.

Running time: 24 mins

Classification Exempt for Educational: Ronin Films recommends G

Animating Aeroplane Jelly is also available to purchase on DVD here.