Screen Education is a quarterly magazine for media teachers, and for primary and secondary teachers interested in harnessing the power of visual media to stimulate learning. It is essential reading for those with an interest in media literacy, offering a unique and engaging perspective on screen education, and is an invaluable resource for upper secondary students and university students studying film.
Each issue provides the reader with practical classroom ideas, lesson plans and activities along with essays, study guides, updates on new technology, and research into media pedagogy. The magazine also analyses and offers ways to navigate the ever-changing new media landscape and the benefits (e.g. interactive learning tools) and potential issues (e.g. cyberbullying and pornography) that come with it. Screen Education publishes articles by educators, scholars and critics, and is partially refereed.
ISSUE 77 (AUTUMN 2015) CONTENTS
New & Notable
'These Things Take Time: Boyhood' – Paul Jackson
'Searching for Heroes, Soaring Towards New Heights: Paper Planes' – Tara Judah
'Guns, Grief and Giftedness: Running Away with The Young and Prodigious TS Spivet' – Kim Edwards
Screens in the Classroom
'Finding Your Own Buzz: Maya the Bee Movie' – Celia Lambert
'Please Look After This Bear: The Perils of Seeking a New Home in Paddington' – Carolyn Leslie
'The Coen Brothers' – Nicholas Godfrey
'The Importance of Being Biased' – Myke Bartlett
'Screening Screen Use: Preparing Students for Healthy Technology Use' – Alison Stegert
'The Allegorical Allusion: How New Media and an Ancient Narrative Technique Can Create Films with Social Symbolism' – Melanie Fawcett
'From Classroom to Cannes: Getting Your Short Film into Festivals' – Peter W Allen
'SAE QANTM' – Dylan Bird
'Virtual Toolkit' – Jane Shields
Film as Text
'Planetary Provocations: Lars von Trier's Melancholia' – Gabrielle O'Brien
'Manning Up: Race, Gender and Violence in Boyz n the Hood' – Sarinah Masukor
'Interrogating Gender in Crime TV: Top of the Lake' – Emily Bullock
'Life Bleeding into Art: Roman Polanski's Macbeth' – Olivia Maria Harsan
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